It was both time to soar ship or to reinvent their north London townhouse. Immediately after approximately 40 decades of residing underneath the similar leaky roof, Russell Vandyk and Alan Martin Day, both of those retired, daringly selected the latter. The pair employed Studio Ben Allen to increase a two-story extension onto the back again of their terraced Victorian. The ask arrived with a bonus every style and design crew longs for: they had been inspired, claims Allen, to “use the challenge as a testbed for concepts.”
In response, the architects, led by Allen and Omar Ghazal, took the opportunity to “push the boundaries of off-website fabrication, something we felt was lacking in modest-scale residential projects.” Especially, they used prefabricated pigmented concrete on equally the exterior and inside, as structural components that are also decorative many thanks to Studio Allen’s daring use of coloration and curves. The addition now houses a double-top new skylit kitchen with a mezzanine that connects to the existing key stair and potential customers to a pretty unforgettable new bathtub. And there’s additional: Vandyk and Day in essence received an totally new property that even now retains highlights of the original—and has acquired a good deal of appreciation from the United kingdom structure group. Dubbed The Home Recast, the rework was named “best new home advancement project” of 2021 in the NLA’s annual “Don’t Go, Increase!” contest. Sign up for us for a tour.
Above: The 1892 household has a regular façade and an eye-opening back again exterior of solid concrete: scalloped columns and beams the colour of verdigris frame salmon wall panels that entrance the new upstairs bathroom. “We selected these shades simply because they are very similar to the copper and terracotta utilized on some of the community Victorian properties of notice,” says Allen.
Higher than: The concrete shades were being produced using earth pigments. Provides Allen: “We were not only inspired by the shade but the honesty of Victorian architecture: the brickwork is attractive but it is also load-bearing.” The new exterior and inside factors had been produced off web page and successfully mounted in a make a difference of times. The extension is 142 sq. meters (around 1,500 sq. ft).Previously mentioned: The architects released a spectacular double-top kitchen area with a vaulted louvered ceiling and a mezzanine that “allow light to penetrate deep into the residence,” claims Allen. The supports, island, and counter are all forged concrete the exterior and structural aspects are the operate of Cornish Concrete Products and the interior layouts are by Concreations. The kitchen area cupboards are made of oak triply composed of a few layers of good wooden.
“There utilised to be a smaller galley kitchen with only just one window and a dining desk squidged up in opposition to it, and the garden was just a scrappy bit of land,” Vandyk informed The Fashionable Dwelling. “It’s not as if we have been indifferent or sloppy,” added Day. “The home just wasn’t really at the heart of our universe. When we ended up youthful, we experienced distinctive priorities. A lot of our lifetime was outdoor. Now, it’s about home comforts.”
Higher than: The sink has an built-in drainboard of pigmented concrete and a faucet from Dornbracht’s Tara range. Observe the useful crafted-in towel bar.
Of late, there is been a lot of concern in the design environment about the significant-carbon value of manufacturing concrete. Eco-friendlier versions—aka “green concrete”—are now surfacing, but Allen suggests that this task regrettably predated the recent dialogue.
Earlier mentioned: An arched opening and concrete steps connection the kitchen to the eating home.Above: Just one of the redesign themes was “trying to develop relationship points all through the property,” Allen informed the NLA (New London Architecture) discussion board. The textured walls are lime plaster.Earlier mentioned: Vandyk and Day owned a prop producing business in advance of embarking on their rework. “As you get more mature you value having a extra aesthetic dimension to your lifestyle,” Working day instructed The Guardian in a spotlight on the dwelling. “Luxury is not about cruises or expensive sofas it is about elegance.”Previously mentioned: The place retains its primary mantel and huge-plank flooring. The D-ended dining table is a Studio Ben Allen layout. Previously mentioned: A different archway connects the dining home to the entrance corridor. The door in the qualifications prospects to the dwelling space. Never Go, Boost! decide Tom Foxall commented on the venture: “It is not just an extension it is a route by the creating and spatially really attention-grabbing. It will work unbelievably nicely architecturally,”Previously mentioned: Future to the dwelling home hearth, a hatch opens to the kitchen area enabling the man or woman at the sink to get element in the conversation and pass foodstuff back again and forth. “These connections have designed the household truly feel so a lot a lot more sociable,” Vandyk informed The Guardian.Previously mentioned: The architects built the mezzanine’s blue balustrade them selves: it is composed of Valchromat, a via-shade significant-density fiberboard that they minimize out with a CNC router and delivered as a package of pieces. The smaller corner is made use of as a “reading nook.”Higher than: The most important bath is a hamman-fashion moist space completely composed of pre-fabricated pigmented concrete. Like the kitchen area, it has a vaulted louvered ceiling. The overhead tubular brass factor is a custom made shower head.
The layout was influenced by architect Omar Ghazal’s Jordanian heritage, and by Middle Japanese references in Victorian architecture, these kinds of as at Leighton Home, the Holland Park home of painter Sir Frederic Leighton.
Higher than: The architects experienced the fixtures manufactured for the space. The window screen is Tricoya, a water resistant MDF that was CNC reduce and then painted to match the rosy salmon that seems somewhere else. There is a mirror tucked within the cabinet door around the sink.
“Alan’s argument was, if we restrict them, we’re not heading to end up with just about anything incredibly exciting,” Vandyk commented to The Contemporary Property. Added Day: “There was a pretty near collaboration in the consultations, but we never challenged anything…We’re so delighted that we did not begin tutting and indicating no…We have the emotion of rootedness mainly because we’ve been below because 1980, and nevertheless something so imaginative has been performed.” For more, enjoy the NLA’s Never Transfer, Make improvements to! online video on the job.
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